Events
33 result(s)
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Limited timeBuddhist Art of Korea Until 21 September 2025
View Event Description & Conditions- Dates 8 May 2025, 9:30AM - 21 September 2025, 5:00PM
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Event Details
Asian Gallery (Toyokan) Room 10
Buddhism began to spread on the Korean Peninsula during the 4th and 5th centuries. This section introduces Buddhist art from the Three Kingdoms period (57 BC–668 AD), the Unified Silla dynasty (669–935), and the Goryeo dynasty (935–1392), including gilt-bronze statues, bricks, roof tiles, and ritual implements.
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Limited timeGilt Bronze Buddhist Statues, Halos and Repoussé Buddhist Images Until 19 April 2026
View Event Description & Conditions- Dates 8 May 2025, 9:30AM - 19 April 2026, 5:00PM
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Event Details
The Gallery of Horyuji Treasures Room 2
All of the 48 works of gilt bronze Buddhist statues in the Hōryūji Treasures are no more then 30–40 cm in height, and many of them are believed to have been used for private worship by local rulers. The halos date from around the same time as these gilt bronze statues, but they are displayed separately.
Repoussé Buddhist images could be mass-produced by placing a thin sheet of bronze over a relief image of a Buddhist divinity and hammering it into shape. In Japan, repoussé images flourished from the second half of the 7th to the early 8th century and were mostly hung on the walls of temple halls or kept in small shrines for private worship. The repoussé Buddhist images among the Hōryūji Treasures are a very important collection, not only in terms of age and number, but also for the variety of images.
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Limited timeKuroda Memorial Room Until 29 June 2025
View Event Description & Conditions- Dates 10 April 2025, 9:30AM - 29 June 2025, 5:00PM
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Event Details
Kuroda Memorial Hall Kuroda Memorial Room
Created to honor Kuroda’s artistic career and exhibit his works, this room was opened to visitors when the hall was founded. The inscription in Chinese characters on the panel above the doors reads: “Memorial Room of Viscount Kuroda,” which is said to be the handwriting of the painter Nakamura Fusetsu. This room allows visitors to view Kuroda’s works from the collection, which mainly consists of those donated by his family, and gain glimpses of the character of Kuroda, who contributed greatly to modernizing Western-style painting in Japan and improving the status of art in general in Japanese society.
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Limited timeSculpture Until 6 July 2025
View Event Description & Conditions- Dates 10 April 2025, 9:30AM - 6 July 2025, 5:00PM
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Event Details
Japanese Gallery (Honkan) Room 11
Japan has three main traditions of sculpture: Buddhist deities, Shinto deities, and portraits of people. Buddhism was introduced to Japan from the Korean Peninsula in the 6th century, together with sculptures of Buddhist deities. These sculptures were made primarily for worship. Making a sculpture was also an “act of spiritual merit” that would help one’s prayers to be answered.
In contrast, Shinto is the indigenous religion of Japan. Since ancient times, people believed that Shinto deities dwell in natural features like mountains and rivers, and rarely depicted them as humanlike sculptures. Even when a Shinto shrine had a sculpture for worship, the priests usually kept it hidden from view out of respect.
Some portrait sculptures were also worshipped, as they showed deified monks or samurai. Others were made to remember the dead and pray for their salvation. This gallery features works mainly from the Heian (794–1192) and Kamakura (1192–1333) periods, when many of Japan’s most admired sculptures were created.
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Limited timeSacred Objects from Ancient Temples Until 7 September 2025
View Event Description & Conditions- Dates 10 April 2025, 9:30AM - 7 September 2025, 5:00PM
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Event Details
Japanese Archaeology and Special Exhibition (Heiseikan) Japanese Archaeology Gallery
Ancient temples were often constructed with a collection of sacred objects buried at their base. These sacred objects included mirrors, beads, coins, and metal vessels. They were meant to pacify unfriendly spirits and ensure the temple could be constructed safely.
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Limited timeDecorative Art of the Qing Dynasty Until 22 June 2025
View Event Description & Conditions- Dates 10 April 2025, 9:30AM - 22 June 2025, 5:00PM
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Event Details
Asian Gallery (Toyokan) Room 9
This section of the gallery introduces decorative art from China’s Qing dynasty (1644–1912), including works of jade, cloisonné, glass, and bamboo. These works illustrate the fine craftsmanship and sophisticated design aesthetic of decorative art from this period.
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Limited timeMountain Worship and the Belief in the Decline of Buddhism Until 7 September 2025
View Event Description & Conditions- Dates 14 March 2025, 9:30AM - 7 September 2025, 5:00PM
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Event Details
Japanese Archaeology and Special Exhibition (Heiseikan) Japanese Archaeology Gallery
From the late Nara (710–794) to the Heian (794–1192) period, priests who worshipped in the mountains began to appear throughout Japan. Believing that Shinto and Buddhism are essentially the same faith, and that Shinto gods are in fact Buddhist deities, they climbed mountains in search of sacred sites where they could worship the mountain gods. Sites on the peaks of Mt. Omine in Nara prefecture and Mt. Nantai in Tochigi prefecture are well-known examples, with excavations revealing various objects that these priests had left as offerings. This form of mountain worship eventually developed into Shugendo, a folk religion unique to Japan.
In the mid-Heian period, the belief in Buddhism’s decline also permeated society. The age of decline was thought to begin in the year 1052, leading people to associate reoccurring natural disasters and disturbances in society with this new age. In response, aristocrats and others living in the capital began creating sutra mounds throughout Japan. Aristocrats also believed in a prophecy that the Buddhist deity Maitreya would reappear 5,670,000,000 years in the future to save all beings. Transcribing sutra scrolls and preserving them in sutra mounds was most likely a way of praying for peace in this world and the next during these troubled times. This section features excavated objects connected with mountain worship and the belief in Buddhism’s decline.
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Limited timeSutra Mounds: Time Capsules for 5,670,000,000 Years Until 7 September 2025
View Event Description & Conditions- Dates 14 March 2025, 9:30AM - 7 September 2025, 5:00PM
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Event Details
Japanese Archaeology and Special Exhibition (Heiseikan) Japanese Archaeology Gallery
Sutra mounds were created from the Heian (794–1192) to the Edo (1603–1868) period for the purpose of preserving Buddhist sutra scrolls. The oldest example is a mound from which a cylinder containing sutras was excavated on Mt. Kinpu in Nara prefecture. It is believed that the Heian-period aristocrat Fujiwara no Michinaga dedicated this cylinder in 1007. The shape of a mound as well as the sutras and other objects it contains vary with its location and the time it was created. Sutras for these mounds were inscribed not only on paper but also on ceramic tiles, bronze plates, stones, shells, and other materials.
The creation of sutra mounds was motivated by the idea, which became widespread in the mid-Heian period, that Buddhist Law will decline 2,000 years after the Buddha’s death. A series of natural disasters and disturbances in society occurred around 1052, the year that this decline was thought to begin, leading people to draw connections. It was also believed that the Buddhist deity Maitreya would reappear in this world 5,670,000,000 years in the future and that Buddhism would prosper again. Sutra mounds were essentially time capsules meant to preserve sutra scrolls until the arrival of this age.
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Limited timeObjects Unearthed from the Ueno Area Until 7 September 2025
View Event Description & Conditions- Dates 14 March 2025, 9:30AM - 7 September 2025, 5:00PM
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Event Details
Japanese Archaeology and Special Exhibition (Heiseikan) Japanese Archaeology Gallery
The Ueno area, where Tokyo National Museum and Kan’eiji Temple stand today, began to thrive after Kan’eiji Temple became the official family temple of the shogun during the Edo period (1603–1868). Temple halls and monks’ quarters were built, and the surrounding town flourished. This section of the gallery presents objects from the Edo period that were unearthed from the Museum grounds and their surroundings, including Ueno Park.
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Limited timeAncient Art | Ca. 11,000 BC–7th century AD Until 29 June 2025
View Event Description & Conditions- Dates 5 March 2025, 9:30AM - 29 June 2025, 5:00PM
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Event Details
Japanese Gallery (Honkan) Room 1
Japan has some of the earliest pottery in the world, dating back about 13,000 years. It was created by the people of the Jōmon period (ca. 11,000–400 BC). These people built permanent settlements and relied on hunting, fishing, and gathering.
At the height of their culture, they made pottery with richly sculpted forms and figurines with distinctive shapes.
In the Yayoi period (ca. 4th century BC–first half of 3rd century AD), people from Northeast Asia (now China and Korea) immigrated to Japan. They brought knowledge of how to farm rice and make objects with bronze and iron. More food became available and people started making tools, weapons, and ritual objects with metal.
In the Kofun period (ca. second half of 3rd–7th century), regional rulers seized power and resources. They formed an early state and the imperial line became its central authority. These rulers had giant tomb mounds built for themselves, with clay sculptures placed outside and valuable objects buried inside to express the rulers’ authority even after death.