• 東京國立博物館
  • 東京國立博物館
  • 東京國立博物館
  • 東京國立博物館
  • 東京國立博物館

東京國立博物館

東京国立博物館

活動一覽

20件
  • The Rise of Provincial Clans and the Development of a Unique Culture
    期間限定

    The Rise of Provincial Clans and the Development of a Unique Culture 至2025-05-06止

    查看活動說明與參加條件
    • 活動日期 2024-12-16 09:30 - 2025-05-06 17:00
    • 活動内容 Japanese Archaeology and Special Exhibition (Heiseikan) Japanese Archaeology Gallery

      Local production of weapons, armor, and horse tack, which had originally been brought from Korea, began around the end of the 5th century. While gold and silver were often used in Korea, production in Japan was characterized by the extensive use of gilded bronze plates. From around the mid-6th century, unique metal objects such as large ornamental swords were also created. It is believed that these objects were distributed to provincial clans as proof of the Yamato Kingdom’s authority and as signs of an alliance.
  • Objects Excavated from Edo
    期間限定

    Objects Excavated from Edo 至2025-03-09止

    查看活動說明與參加條件
    • 活動日期 2024-12-16 09:30 - 2025-03-09 17:00
    • 活動内容 Japanese Archaeology and Special Exhibition (Heiseikan) Japanese Archaeology Gallery

      Tokugawa Ieyasu became the shogun of Japan in 1603, establishing his government in Edo (present-day Tokyo). Edo then became the political and cultural center of Japan, with 70% of its land occupied by residences for feudal lords and members of the Tokugawa clan. In addition to these residences, temples, shrines, commoners’ homes, and post towns with accommodations for travelers were sectioned into different areas around Edo Castle, while the castle itself served as the shogun’s residence and place of business. Large fires occurred frequently in Edo because of the dense concentration of wooden buildings. After each fire, land was divided and reassigned, sometimes to create open spaces to prevent future fires from spreading. Land reclamation and other projects for coping with a rising population were also undertaken, with Edo developing into one of Asia’s largest cities.

      The appearance of Edo has come to light in recent years through excavations. In particular, large-scale excavations have shown where the residences of feudal lords were located and how they were laid out. Moreover, unearthed objects have revealed the luxurious lifestyles these lords enjoyed, made possible in part by a monetary system based on gold, silver, and copper coinage, which led to the increased distribution of goods. In fact, goods from across Japan were brought to Edo for consumption. This section features excavated objects that vividly illustrate the lifestyles of Edo people.
  • Excavated Gold Coins of the Edo Period
    期間限定

    Excavated Gold Coins of the Edo Period 至2025-03-09止

    查看活動說明與參加條件
    • 活動日期 2024-12-16 09:30 - 2025-03-09 17:00
    • 活動内容 Japanese Archaeology and Special Exhibition (Heiseikan) Japanese Archaeology Gallery

      In February of 1957, a man harvesting shellfish about 250 meters off the coast of Tokyo’s Izu Ōshima island accidentally discovered koban coins on the sea bed. Following this incident, a total of 103 koban and 63 ichibukin, which are smaller and rectangular, were found. The reason for why these gold coins were lost at sea is still a mystery.
  • The Advent of Chinese Civilization
    期間限定

    The Advent of Chinese Civilization 至2025-06-15止

    查看活動說明與參加條件
    • 活動日期 2024-12-16 09:30 - 2025-06-15 17:00
    • 活動内容 Asian Gallery (Toyokan) Room 4

      This section of the gallery traces the development of Chinese civilization through ancient pottery, jade objects, texts, and bronzes. The collection includes Neolithic pottery from the Loess Plateau, a range of stone tools from Northern China, jade objects and oracle-bone inscriptions from the Shang dynasty (ca. 1600–ca. 1100 BC), and roof tiles from each era.
  • Korean Ceramics
    期間限定

    Korean Ceramics 至2025-05-25止

    查看活動說明與參加條件
    • 活動日期 2024-12-16 09:30 - 2025-05-25 17:00
    • 活動内容 Asian Gallery (Toyokan) Room 10

      This gallery introduces Korean ceramics from the Proto-Three Kingdoms period (ca. 1st century BC–3rd century AD) to the Joseon dynasty (1392–1910). The development of Korean ceramics during the Proto–Three Kingdoms period was influenced by the Lelang Commandery, an outpost established by China’s Han dynasty in the northern part of the Korean Peninsula. Rulers of powerful states struggled for supremacy during this period, resulting in a rich variety of distinct ceramic aesthetics in each region. Under Chinese influence, a blue-green glaze called celadon began to be produced in Korea during the Goryeo dynasty (935–1392). Over time, celadon wares took on a distinct gray-green coloring that came to be known as Goryeo celadon. The production of pottery then diversified during the Joseon dynasty to include white porcelain and Buncheong ware, a type of stoneware often featuring designs in white slip and iron pigment.
  • Southeast Asian Ceramics
    期間限定

    Southeast Asian Ceramics 至2025-05-25止

    查看活動說明與參加條件
    • 活動日期 2024-12-16 09:30 - 2025-05-25 17:00
    • 活動内容 Asian Gallery (Toyokan) Room 12

      This section introduces ceramics from Cambodia, Thailand, and Vietnam, with a focus on objects collected by the Japanese entrepreneur Okano Shigezō.
  • Kanjō-ban (Banner for Kanjō ceremony)
    期間限定

    Kanjō-ban (Banner for Kanjō ceremony) 至2025-04-20止

    查看活動說明與參加條件
    • 活動日期 2024-12-16 09:30 - 2025-04-20 17:00
    • 活動内容 The Gallery of Horyuji Treasures Room 1

      The Kanjō-ban (gilt bronze banner for the Kanjō ceremony) is one of the most outstanding items of The Hōryūji Treasures. It is believed to be the item listed as "one gilded Kanjō ceremony article" in The History of the Buildings of Hōryūji and The Inventory of the Temple’s Properties compiled in 747. The original is displayed here together with another metal banner, the “Small Gilt Bronze Ban”.
  • Tomb Sculptures (Haniwa) and Funerary Rites
    期間限定

    Tomb Sculptures (Haniwa) and Funerary Rites 至2025-04-20止

    查看活動說明與參加條件
    • 活動日期 2024-11-12 09:30 - 2025-04-20 17:00
    • 活動内容 Japanese Archaeology and Special Exhibition (Heiseikan) Japanese Archaeology Gallery

      The advent of burial mounds coincided with the emergence of a specific kind of tomb sculpture, called haniwa. These sculptures are assumed to have played an important role in ancient funerary rites, and were a common feature of burial mounds until the practice declined after early societies abandoned the construction of colossal, keyhole-shaped burial mounds. This section of the gallery features house-shaped tomb sculptures, which were the dominant type during the 5th century. The lineup also includes illustrative examples of three other types of tomb sculptures: those in the shapes of weapons and household items, cylindrical sculptures, and wooden sculptures.
  • Development of Figural Haniwa Tomb Figurines
    期間限定

    Development of Figural Haniwa Tomb Figurines 至2025-04-20止

    查看活動說明與參加條件
    • 活動日期 2024-11-12 09:30 - 2025-04-20 17:00
    • 活動内容 Japanese Archaeology and Special Exhibition (Heiseikan) Japanese Archaeology Gallery

      Haniwa are terracotta figurines that were stood up on ancient burial mounds called kofun. Around the 3rd century at the end of the Yayoi period, pedestal-shaped terracotta objects that were placed on burial mounds began to change form. By the time keyhole-shaped burial mounds were first created in the latter half of the 3rd century, these objects had developed into cylindrical and pot-shaped haniwa.

      The earliest representational haniwa, which depicted houses, were created in the mid-4th century, followed by those portraying armor, shields, quivers, and parasols, as well as ships and fowl. Despite increasing variety and changes in the way haniwa were positioned on burial mounds, house-shaped ones were always placed in the center, therefore playing a unique and important role. From the mid-5th century, new haniwa in the shapes of various people and animals were also created. These included shrine maidens, horses, warriors, boars, water fowl, and dogs. They were positioned around the perimeters of burial mounds as though depicting stories. These various representational haniwa, which evolved from simple cylindrical ones, are believed to have played important roles in funerary rituals.
  • Important Cultural Property Tomb Sculpture (Haniwa): Dressed-Up Woman
    期間限定

    Important Cultural Property Tomb Sculpture (Haniwa): Dressed-Up Woman 至2025-04-20止

    查看活動說明與參加條件
    • 活動日期 2024-11-12 09:30 - 2025-04-20 17:00
    • 活動内容 Japanese Archaeology and Special Exhibition (Heiseikan) Japanese Archaeology Gallery

      Terracotta statues known as haniwa were placed on large burial mounds that were created in great numbers during the Kofun period (ca. 3rd century–ca. 7th century). Most haniwa of women show them from the waist up, making this full-length depiction unusual. This woman appears to be wearing a sleeveless garment with wave-like patterns over a plain, long-sleeved one. Her legs are hidden by a skirt decorated with vertical lines. Women of the preceding Yayoi period (ca. 5th century BC–ca. 3rd century AD) wore clothes similar to one-piece dresses. In the Kofun period, however, garments separated into top and bottom sections as seen here were introduced from China and Korea.

      Her outfit is also more elaborate than it first appears: Her hair is made up in a topknot unique to women of the time and is held in place with a comb. She also wears a headband and two large earrings with a cluster of beads above each one, as well as a beaded necklace and bracelets. A knife or something similar is at her hip. Judging from the lavish attire, this haniwa probably depicts a woman of a high social standing who is participating in some kind of elaborate ceremony such as a funerary procession or rite.
※ 上述刊載資訊為更新時之資訊,可能與實際價格相異。目前最新資訊請於來店時詢問。